Me and my Shadowman. Review

Me and my Shadowman.

More than a fashion accessory, the Mask of Shadows is grafted into Michael

LeRoi’s chest. With the voodoo powers of the mask, LeRoi can become Shadowman,

a being of immense power with the ability to cross over into Deadside, the realm

of the dead. Mama Nettie, a voodoo priestess, has used her powers to receive

a dark omen of an immense evil gaining power within Deadside. In order to stop

the forthcoming Armageddon, she instructs LeRoi to journey into Deadside, find

the Asylum (a haven for dead killers and Dark Souls), and destroy it. Why worry?

It’s not like you can die or anything…

Shadowman is the newest 3D platform title to come down the pipe. With

a creepy mood and adult subject matter, this game doesn’t treat you like an

eight year-old. Though all the Voodoo in the world doesn’t make a game great,

it does help make it good.

You control Shadowman from

a third person view, focusing on exploration and collection. All the while,

you must shoot the lost souls and demons that try to hinder your quest (how

do you kill something that’s already dead?). The main items that you must collect

are the Dark Souls; the more you collect, the more locked gateways on earlier

levels you’ll be able to open and the stronger you’ll become. Other voodoo items

will let you touch fire or climb up waterways.

Shadowman uses a combat aiming function similar to Legend

of Zelda: Ocarina of Time. You can lock-on to an enemy, and then move relative

to him. While the function works decently, Zelda‘s “lock-on” had a cleaner,

more refined feeling. In Shadowman, the lock occasionally gets lost when

you step too much to the side or if something comes between you and the enemy.

Furthermore, the lock is not very flexible and often you find yourself locked

on a far off enemy while a closer enemy claws at you. Needless to say, it gets

frustrating.

When you defeat an enemy, their soul is left behind. These souls serve as

health. When you’re Michael and you die in the game, you just go to Deadside,

where you’re Shadowman. If you’re Shadowman and you die, you just

start again from a checkpoint since you’re already dead. Isn’t immortality great?

Overall, there is a lot of platform jumping in the game, but rather than being

overly frustrating like other third-person games (*cough Tomb

Raider 3 *cough*cough*), it feels easy and natural. I suggest a controller

as opposed to the keyboard, however.

When you move between different game locations, you’ll get a loading screen.

Unfortunately, the loading screens disrupt the flow of the game. The illusion

of a fully realized world would have seemed more convincing without the wait.

Instead, even with the nonlinear nature of the game, the world of Deadside still

has a “levels” feel to it.

One neat feature is that the difficulty level keeps increasing as you get

further into the game. Areas that were nearly empty the first time through are

brimming with the undead the next time around.

Influenced by movies like Seven

and the poetry of T.S. Eliot, the designers created a very stylish game. While

the writing is infused with a feeling of deep meaning, the characters still

seem to follow standard archetypes, with the familiar good vs. evil . . . or

in this case, evil vs. evil-er.

On top of that, the characters could have used more exposition. If the back

story of LeRoi were included, gamers would feel more driven to keep fighting

during the times when they’re stuck looking for some key item. There is a comic

book called Shadowman that the game is based on that the diehard fans

of the game can go pick up. The rest of us, however, will have to stay in the

dark.

The graphics of Deadside successfully embody the dark and chilling mood set

by the plot. Because Deadside is an imaginary place, the different visual elements

of caves, gothic architecture, and dead things don’t have to follow the full

rules of reality. That said, there are certain areas of the “Liveside” that,

in contrast, just don’t look as good as Deadside (stupid constraints of reality).

Sound-wise, Shadowman excels. The environmental noise, occasional music,

and shrieks of the enemies keep the game scary. The cries and screams of the

undead remind me of my former, crazy roommate who talked to himself; which by

itself is freaky enough for me (and the rest of us. – Ed.). In the Asylum,

you’ll find shrines devoted to various serial killers. As you enter one shrine,

the eerie chants of a Latin hymn start in the background; enter another shrine,

and you’ll hear rock-a-billy twisted into an evil noise. Shadowman is

a great game to play in the dark with the sound turned up, just make sure the

neighbors don’t get mad.

Shadowman‘s gothic, artsy flavor is certainly refreshing, but underneath

all the English Lit, the actual gameplay isn’t all that innovative. While it

isn’t new, the familiar elements of an exploration game are done well. To the

uninitiated, Shadowman can get tiresome quickly due to loss of interest

in the plot. For those willing to keep searching the realm of Deadside, however,

you’ll find a long, above-average game worth taking the time to explore.